A disappointed literary aspirant, weary of having his articles declined with thanks, and doubtful of his critics’ infallibility, copied out ‘Samson Agonistes,’ which he rechristened ‘Like a Giant Refreshed,’ and the manuscript, as an original work of his own, went the rounds of publishers and editors. It was declined on various pleas, and the letters he received afforded him so much amusement that he published them in the St. James’s Gazette. None of the critics discovered that the work was Milton’s. One, who had evidently not even looked at it, deemed it a sensational novel; another recognized a certain amount of merit, but thought it was disfigured by ‘Scotticisms;’ a third was sufficiently pleased to offer to publish it, provided the author contributed forty pounds towards expenses.’
— Lippincott’s Monthly Magazine, September 1888
Call of Duty
It is said that, when Charles Dudley Warner was the editor of the ‘Hartford Press,’ back in the ‘sixties,’ arousing the patriotism of the State with his vigorous appeals, one of the type-setters came in from the composing-room, and, planting himself before the editor, said: ‘Well, Mr. Warner, I’ve decided to enlist in the army.’ With mingled sensations of pride and responsibility, Mr. Warner replied encouragingly that he was glad to see the man felt the call of duty. ‘Oh, it isn’t that,’ said the truthful compositor, ‘but I’d rather be shot than try to set any more of your damned copy.’
— John Wilson, “The Importance of the Proof-Reader”, 1901
July 5, 1766. At eight o’clock in the evening, a man who had laid a wager to cross the Thames in a butcher’s tray, set out in the same from Somerset Stairs, and reached the Surrey shore with great ease, using nothing but his hands. He had on a cork jacket, in case of any accident. It was said 1400l. was depending on this affair; and upwards of seventy boats full of spectators were present.
— Annual Register, 1766